Jason M Tadeo Obituary February 4, 2026 Max A. Sass & Sons Funeral And Cremation Service

Trading card advantage for tempo is one of the strategic axes that must be navigated with care and consideration. The present macro-archetypes are better described as combo, stax/prison, and control, rather than the more prevalent aggro, midrange, and control. Fast combos are inconsistent, powerful strategies like Shops suffer from a lack of redundancy, and the quality of both threats and disruption fall off sharply in singleton. In 2014, MacFarlane released his first-ever Christmas album, “Holiday for Swing,” that debuted at #1 on the iTunes holiday album charts.

  • In the Degenerate Micro Cube, however, that range is greatly reduced, enough so that it is almost always correct to plan in terms of specific, singular cards in yours and your opponent’s decks.
  • They are actually much stronger because they negate methods of recurring the milled cards, and would be oppressive in my opinion.
  • I am a strong proponent of Mark Rosewater’s advice to game designers that they make the optimal decisions also the fun decisions, so Vault-Key got the axe.
  • While it might be possible to play enough Sinkholes and Ghost Quarters to make these lands reliably answerable, almost all land destruction is very narrow.
  • It was cut because of how narrow the components of the deck and the requisite answers to it are.
  • For just two cards and four generic mana, which can be paid in installments over two turns, you can take infinite turns and win easily.
  • To put it another way, in constructed formats, the power of storm decks is partially in the explosive card advantage they can generate.

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I love to play and  I get along with all the other pups in the house. I hid a few times under the Bulldog stuff table because I was getting a little overwhelmed. I’d love one who will play and snuggle with me, too. When it came time to add to their family, they decided not just one, but two Bulldogs in need would join their home.
The majority of the combo decks in the Degnerate Micro Cube win by cheating the biggest, baddest threats from Magic’s history into play. After you deposit to your new account at Lucky Max Casino, you can visit the casino’s lobby to start playing your favourite casino games. The combo and additional instant-speed answers required many slots, the deck doesn’t feel interesting to draft, and it was one of the best strategies in the cube. Moreover, it’s one of the only combos that reliably lets you win the game without passing the turn, which means all the sorcery speed answers are blanks against it. If you would like to understand just how powerful Strip Mine is, I recommend playing a deck that gets to play it every single game. While it might seem like we are already playing a number of cards that fit this definition, they all have much more reasonable floors.

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  • A willingness to stay open and spend a few speculative picks on varied combo pieces is key to success in the Degenerate Micro Cube.
  • However, more likely still isn’t very likely — in our many hundreds of playtest games we had four draws, two due to Ensnaring Bridge and two due to a locked up board where neither player could profitably attack.
  • Conspiracies and silver border cards have been excluded, even though some of them are strong enough to warrant inclusion on the basis of power level.
  • It too offers a tempo advantage but (usually) in exchange for card disadvantage, an even steeper cost in this environment given the small deck size.
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  • “So we called my mom up at work and I was just like, ‘I love you, I love you so much. Just tell me you love me’ and we recorded it and got it.”She also included the song in her “Playlist of My Life ” video, by Teen Vogue.Chloë Grace Moretz also included the song, saying she has found her womanhood through Spears’ music.

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The presence of these decks is a defining feature of the Degenerate Micro Cube — if you’re not drafting one yourself, you’d better have an answer to a turn one channelled Eldrazi Titan. The following effects can be combined to help maximize magic find. Please ensure you meet all legal and regulatory requirements based on your country before playing at any casino listed on this site.

Sideboarding

Don’t forget, one answer to your opponent’s combo is simply to have a better combo. Whether protecting your own combo or answering an opponent’s, a range of answers is essential, ideally with options to sideboard into depending on the matchup. With such compact win-conditions, most of your picks will be spent on interaction. A willingness to stay open and spend a few speculative picks on varied combo pieces is key to success in the Degenerate Micro Cube. With only twenty picks across two packs, a draft of the Degenerate Micro Cube moves quickly, and each pick is critical.
I thought the cube would be the Magic equivalent of taking turns shooting sawn-off shortguns at eachother at point blank range. The concept behind the Singularity Cube wedged it’s way into a corner of my brain when I first read about it in 2017. With so lucky max few picks and dramatically fewer wheels, there is much less time to find the open lane at the table. With such small libraries, if winning through mill were possible, I believe it would be a meta-warping and possibly dominant strategy.
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While Ensnaring Bridge or Balance are similarly strong answers to the cheat decks, they can be countered or discarded — Karakas and Maze of Ith cannot. I want resource denial to be a viable strategy in the cube, but Strip Mine allowed any deck to also be a resource denial deck at the cost of only a single card. During its tenure, it was aggressively drafted by any variety of deck and it often more-or-less locked the opponent out of the game even when it wasn’t used in tandem with some recursion, which it often was. Strip Mine — Strip Mine is an amazing card in every format in which its legal, and in the Degenerate Micro Cube it even gets an additional buff from the fact that decks, and therefore land counts, are so small. But, there are a number of cards that lead to play patterns that I don’t think are healthy for the environment or would require narrow answers to keep them appropriately in check. Veil would sometimes be a full-on blank, and unless it is determined in the future that green needs this kind of narrow disruption to be viable, I am against running pure sideboard cards.
They considered the song Spears’ version of “Where Did It All Go Wrong?” by English rock band Oasis, and went to describe it as “a heart-rending tale of life at the top of the teen pop tree, transformed into an anthem for dramatic, moody 12-year-old girls everywhere by Max Martin’s scary talent for teenybop lyrics”. After meeting with Max Martin and Rami Yacoub in Sweden, Spears recorded several songs for the album, including “Lucky”, which was co-written and co-produced by Martin and Rami, with additional co-writing from Alexander Kronlund. In the United Kingdom, the song peaked at number five, and is Spears’s tenth best-selling single in the country, having sold over 225,000 copies.
If you do have a narrow removal spell for your opponent’s Shelldock, their win condition is now stranded in exile. First, discard spells are dead against it, as you can’t discard the Shelldock itself, and the target is plucked from your opponent’s library and never in their hand to begin with. Topdeck manipulation in the form of Brainstorm, Sensei’s Divining Top, or Sphinx of Foresight was key to making it work reliably.
Scenes of the video are interspersed with Spears singing the song from a billboard and sitting in the middle of a giant star centerpiece, sprinkling glitter down on Lucky. The video begins with Spears telling a story about a very famous Hollywood actress named Lucky, played by Spears herself. In Germany, the song reached number one on the Media Control Charts, being certified gold by the Bundesverband Musikindustrie (BVMI) for shipping over 250,000 units of the single. In Australia, the song peaked at number three, and was later certified platinum by the Australian Recording Industry Association (ARIA), for shipments of more than 70,000 units of the single. On the week of August 28, 2000, “Lucky” debuted at number five on the UK Singles Chart, falling to number six in the following week.

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In October 2023, the song was certified platinum by the Recording Industry Association of America (RIAA), for surpassing one million units sold. Bustle’s Alex Kristelis explained that the song’s “bubblegum pop gloss disguises even its most devastating lyrics”. For Christopher Rosa from Glamour, it’s Spears’s fifth best song, as well as a “perfect blend of the sweet-pop sound from her first record and lyrics that feel just a little more grown-up”. The staff from Entertainment Weekly placed it at number 10 on their ranking of Spears’s songs and said that “given everything we know about Spears’ past decade, it’s hard not to hear ‘Lucky’ as a haunting premonition packaged in fairy dust”. David Veitch of Calgary Sun called “Lucky” a “sweetly melodic mid-tempo song” and regarding the lyrics commented, “We feel her pain”, Billboard magazine contributor Chuck Taylor praised “Lucky” and featured the song on the Spolight column of his Singles Review section.
With only twenty picks in the draft, I want them all to have strategic signifigance, and slamming a Lotus or Mox Sapphire is a no-brainer. I actually think Lotus, Crypt, and all five Moxen could safely be added to the cube without disrupting things much. You said this was supposed to be degenerate, so why not just play Black Lotus, Mana Crypt, and the true Moxen? Instead, Ancestral Recall, a card I assumed too powerful, is actually just right. I was initially skeptical that Goblin Welder was good enough, until it was proven to be a unique combination of toolbox, inevitability, and creature cheat that is potent if drafted properly.
I expected we’d get a few laughs from playing broken cards and appeasing our latent Timmy/Tammy urges, but ultimately I didn’t think the cube would have much replay value. Each player ends up drafting a rather large pool of cards, but due to the constraints of the draft format — picking an entire row or column at a time — many of those picks are incidental. The nature of this cube, which is full of narrow combo cards, also precludes drafting with a smaller number of people. However, because other aspects of the game are unchanged, like starting hand size, decks in the Degenerate Micro Cube are more consistent than a 60-card deck with playsets of each card would be. Despite the sky-high power level and abundance of swingy plays, almost every loss is attributable to some draft, deckbuilding, or gameplay mistake rather than bad luck or variance. Bomberman and Welder/Emry decks, for example, have many moving parts, and truthfully I myself have struggled to draft and play them properly — others players in our online playtesting group have had more success with them than I have.
To put it another way, in constructed formats, the power of storm decks is partially in the explosive card advantage they can generate. The line from your draft and gameplay decisions to the outcome of the game is short — all your choices really matter and you can feel it. The social aspect of in-person games that paper Magic offers has always been important to me, but digital Magic is better than no Magic, so my Cube drafts moved from in-person to online.

Multicolored Cards

Discussion of potential cards and archetypes was near constant, and we drafted the cube every weekend for months. I was fascinated by the novel constraints, radical recontextualization of cards and effects, and the idea of playing Magic with dramatically increased consistency. Not including all of the cards in a given draft risks splitting up combos, potentially torpedoing someone’s draft by pure chance. While I don’t think the draft format is ideal, it hasn’t kept us from having fun with the cube and drafting functional decks. The draft, which consists of 2 packs of 10 cards, is the aspect of the cube I am least happy with.

Because they are so situationally powerful and relatively easy to guarantee in your opener, they would completely shut out certain decks and demand enchantment removal or else lose on turn 0. However, because of the small deck size, they can easily be mulled to and therefore play out more like conspiracies. They are actually much stronger because they negate methods of recurring the milled cards, and would be oppressive in my opinion. The relevant Ashioks, Dream Render and Nightmare Weaver, which exile cards from your opponent’s library, are excluded for similar reasons to mill cards. I don’t like the idea of such wildly variable cards, whose variance is largely out of the control of the caster. On the other hand, you might flip half their combo into the yard and win on the spot by pure chance.
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It’s seriously engaging watching it all play out, images alone won’t sell how good it feels to kill an enemy in one turn with thousands of HP. Hey, maybe the unlikeliest of combos can become the most broken of all, like slimes and ninjas. It forces you to adapt and figure out synergies on the fly, and it’s fun to do.
It too offers a tempo advantage but (usually) in exchange for card disadvantage, an even steeper cost in this environment given the small deck size. To many, Vintage Cube is the pinnacle of limited Magic — the most powerful way to draft — but it’s a far cry from constructed eternal formats. The track was also on the Dream Within a Dream Tour (2001–02), where Spears emerged from the middle of a giant music box on the stage as a ballerina, to perform the song in a medley with “Born to Make You Happy” and “Sometimes”, right after the performance of “Overprotected”. David Veitch of the Calgary Sun and Chuck Taylor of Billboard compared the song’s rhythm to the ones of Spears’s previous singles “…Baby One More Time” (1998) and “Sometimes” (1999). According to the digital music sheet published at Musicnotes.com, the song is composed in the key of D♭ major (but will later modulate to E♭ major at the end of the bridge) and is set in the time signature of common time with a moderate tempo of 95 beats per minute, while Spears’s vocal range spans over an octave, from A♭3 to E♭5.

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